jennifer irwin, costume designer

In 2004, Jennifer designed the costumes for the International Box office sensation DIRTY DANCING the musical, still playing to packed audiences, breaking all pre-box office sales of any show ever staged in the history of London’s West End. Welcome to the professional world of Jennifer Irwin, costume designer extraordinaire who, for the past 36 years, has woven her magic across Australian theatre, opera, dance, film, musicals and spectaculars. Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia. Submit Photos Here . Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. It’s an entirely collaborative process. Costume Designer Jennifer Irwin’s career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. Join to Connect. Youth theatre should not be training for thought and action in the future, argues Iris Simpson. Graeme put contemporary dance on the map in Australia. What led you down this track? Bangarra's Yolande Brown is inspired by a book exploding assumptions about the ways indigenous people related to and managed the land. One thing prevented him... A theatre without actors is just a building. Jennifer Irwin Costume Designer Sydney, Australia 32 connections. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. I was in the right place in the right time to learn. We design as a collaborative group, there’s no working solo. It’s like family. Her work has also been seen on the stages of Belvoir and the Melbourne Theatre Company, on screen (the feature film Spear), the Royal Opera House Covent Garden, the Lincoln Centre (New York City) and the Brooklyn Academy of Music. Playwright Jordan Harrison explores the mysteries of human identity and the limits - if any - of what technology can replace. Designer Jennifer Irwin working on costumes for Dark Emu. Playwright Charles O'Grady goes there. Irwin will talk about her creative process and what inspired her as an artist. Jennifer Irwin has designed for drama, opera, and dance as well as the largest spectacular events ever staged in Australia. I love the dynamic juxtaposition, the ancient and the modern. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. J ennifer Irwin has been creating costumes for Bangarra Dance Theatre since the company’s very beginning, and has been collaborating with Stephen Page even longer. Working with Bangarra allows me to be more creative. If they fall due to the costume, that could end their career. See the complete profile on LinkedIn and discover Jennifer’s connections and jobs at similar companies. Personal Website. I trained as a scenic artist, but my first professional job was with Sydney Dance Company in the early 1980s. A ragtag gang of adventurers off to catch the mythical Snark. ... Costume Design. But what are actors without theatres, ponders Toby Schmitz. But it struggles to sell it. It’s a much more organic experience. But Dirty Dancing the musical is a highlight, and it continues to tour around the world since its first staging in 2004. More info here. Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. The MAC AUSTRALIA 2012 APDG Award - FOR MAKEUP AND PROSTHETICS Wendy de Waal - Make Up and Hair Designer. Report this profile; About. National Tour: Melbourne 29 June – 7 July. He invited me to do their dance costumes and I have been designing for him ever since. The result of this extraordinary partnership is an entirely unique costume aesthetic: sculptural, richly textured, with a strong connection to the land. He was 19 or 20, I think. Burning Man. "I came from somewhere, I have a background, and I’m... Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. Jennifer has been designing costumes for … I designed and made all the costumes, maintained them and toured internationally with the company. Photos. Jennifer Irwin With the world premiere of Infinity taking place in Melbourne in only a couple of weeks, Anna Sutton spoke to costume designer Jennifer Irwin about her collaborations with Graeme Murphy and Stephen Page for The Narrative of Nothing and Warumuk: in the dark night. You’re collaborating with the artistic director and the show’s director and everything needs to sit within the set. Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal. Designers Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. The designs will unleash the full impact of the powerful and dynamic movement that West Side Story is […] Make a creative’s heart sing, writes Ang Collins. In #5 in a series of conversations with leading Australian female designers, Antoinette Barbouttis meets an industry legend. Very young! I love that I’ve had the opportunity to work on an international scale. Hurrah Hurrah return with a team of robotic vacuum cleaners hacked to torment their human counterparts. Canberra 13 – … Every time I do a show with Bangarra, I try to push my design harder than the last one. It's not that hard to do. sydney festival 2017 festival director: wesley enoch executive director: christopher tooher festival designer: pip runciman Anna Cordingley questions outmoded ideas in the first in a series of interviews with leading female theatre designers. Adelaide 29 August – 1 September. JI: I’ve only ever been interested in costume. And why not? Set Designer – Jacob Nash. Queer Representation on Stage: Between... Is identity politics having a reductive effect on queer representation in our theatres? Jennifer’s work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. Jenny is the winner of many awards and nominations for her designs and recognised … "Everything was just so raw and we were working on the run. Jennifer designs regularly for all of the major Australian companies. What are your costume design career highlights? Dirty Dancing [West End, 2006] Costume Designer. “Design is so much more than making things look pretty”. Jennifer designs regularly for all of the major Australian companies. From film school reject to Hollywood legend, take a look at Steven Spielberg's career so far and explore what lies ahead.. Watch the video It's been a tough year, writes theatre maker Suz Mawer. THE HERO FROCK HIRE 2012 APDG AWARD - FOR COSTUME DESIGN FOR SCREEN Louise Wakefield - Designer. If a dancer can’t move due to costume, then it’s not going to work. APDG Best Emerging Designer for Live Performance (Nominated) APDG Mentor Program 2020 (Costume design mentorship under Jennifer Irwin) FREDERIK J GIBSON BEQUEST (Secondment under Rajha Shakiry at National Theatre London) Education; mfa design for performance , National Institute of Dramatic Art (NIDA) “The Merry Widow has three acts,” she explained. Jennifer Irwin - Costume Designer. I had permanent employment at Sydney Dance Company, during the grassroots years of the company – the Graeme Murphy period. Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for... "I was half expecting it to fail. Jennifer Irwin’s costumes can be seen in Bangarra Dance Theatre’s Dark Emu, touring now. In our series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks opportunity, craft and career with Melanie Liertz. costume design:jennifer irwin lighting design: nick schlieper photography credit: brett boardman. Underbelly Razor. Known as one of Australia’s greatest theatrical costume designers, having worked in film, musical theatre, opera and ballet around the world over the past 36 years, Irwin’s designs for this brand new production of West Side Story have been keenly anticipated. Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. Opera singers need to sing unconstrained. Costume designer Jennifer Irwin speaks to Neil Litchfield about designing for Terrain, and for 20 years with Stephen Page and Bangarra. AB: You are a costume designer, not a set designer. The 2018 Philip Parsons Lecture: The myth of the general audience must go the way of the myth of the... Suz Mawer: What I learned in Ita O'Brien's intimacy workshop. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. How fabrics work over time, how to cut costumes for movement. Every show I’ve designed is completely different. Jennifer Irwin ... Holly Day 6 episodes, 2003 Sabrina Grdevich ... Claire Donner 6 episodes, 2003 Marcia Bennett ... assistant costume designer (6 episodes, 2006) Jennifer Buck ... wardrobe set supervisor (3 episodes, 2005) Most plays do." In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with Anna Gardiner. “The first one is a cocktail party where there’s lots of waltzing so I went with long dresses and put everyone in long satin gowns that sat well within the black and gold of the set. When I design for Bangarra, the costumes are always abstract and create a skin that the dancers transform into an art piece. Costume Designer – Jennifer Irwin. The best in home-grown theatre, comedy, cabaret, circus and food, presented in the iconic Bondi Pavilion. You can go anywhere with the costumes. How do your own aesthetics come in to the design process? Ochre is a clay and it comes in many colours and Bangarra usually sources it from the appropriate homelands. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with... Indie director Penny Harpham took a deep dive into the world of mainstage theatre with Antony and Cleopatra and, against... “Don’t underestimate the audience,” says... Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address. We're still working on the run! The People's Choice competition for the 2019 Martin-Lysicrates Prize is open and it's not just the playwright who stands to... Actor Michelle Ny argues for conscious rather than colourblind casting. Jennifer Irwin, Costume Designer: Spear. Designer Biography Costume Designer Jennifer Irwin's career spans 30 years constructing & designing costumes for drama, opera, film and in particular for dance & ballet. Designer Jennifer Irwin working on costumes for Dark Emu. I love embracing new technology such as digital printing, 3D printing and laser cutting. Also having had my work seen in places such as The Royal Opera House Covent Garden in London and the Brooklyn Academy of Music. A dancer has to feel safe in a costume, there’s risk involved. View Jennifer Irwin’s profile on LinkedIn, the world’s largest professional community. Every genre of performance has different priorities. Irwin will talk about her creative process and what inspired her as an artist. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. You use bold ochres in your costume designs for Bangarra. 'Bennelong' Choreographed by Stephen Page Set Design Jake Nash Costume Design Jennifer Irwin Music Steve Frances Lighting Nick Schlieper Photo Daniel Boud Maisy Stapleton, spoke to Jennifer Irwin, key costume designer at Bangarra and previously at the Sydney Dance Company on Arts Thursday on 18 July 2019. The Art Deco movement inspired costume designer Jennifer Irwin’s work for Franz Lehar’s fizzy comic opera. Costume design by Jennifer Irwin Gift of The Australian Ballet, 2006 Australian Performing Arts Collection, Arts Centre Melbourne "We commissioned this ballet to be a partner piece for the existing ballet Rites in 2006. Costume design Jennifer Irwin Set design Peter England. Bennelong COSTUME DESIGN: Jennifer Irwin APDG SET DESIGN: Jacob Nash LIGHTING DESIGN: Nick Schlieper The History of The Kelly Gang Production Designer: Karen Murphy THE HARP IN THE SOUTH - Part 1 Costume designer: RENEE MULDER Lighting designer: NICK SCHLIEPER In Bangarra Dance Theatre’s latest work, Terrain, choreographer Frances Ringsexplores the wonder and spiritual resonance of Kati Thanda (Lake Eyre), the place of Australia’s inland sea: one of the few untouched natural waterways in the world. Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. I met Stephen Page, artistic director of Bangarra, when he was a young dancer at Sydney Dance Company. There are practical issues to consider, too, like partnering and longevity when you’re dancing eight shows a week for months on tour. I am very fabric-inspired in my designs. But does anyone know what a Snark looks like? Jennifer has 1 job listed on their profile. How did you get involved with Bangarra Dance Theatre? Conductors: Massimo Zanetti (until 6 Jul); Nicholas Milton (11–25, 29, 31 Jul; 1, 2, 3 Aug); Brian Castles-Onion (27 Jul; 6, 7, 10 Aug) Director: Graeme Murphy Creative Associate: Janet Vernon Production Designer: Michael Scott-Mitchell Costume Designer: Jennifer Irwin Lighting Designer: Damien Cooper Master Electrician & BlackTrax Diviner: Jason Morphett I’ve been doing dance for so long now it has become second nature to create and understand the vocabulary of different choreographers. Jennifer Irwin’s costumes are similarly gorgeous, and particularly the widow’s outfits – each is an Instagram-worthy showstopper, from the opening black-and-gold nod to widow’s weeds, the exotic gauzy turquoise of Act 2’s Pontevedrian number, and Act 3’s gold and silver glory. 'Terrain' Choreographed by Frances Rings Set Design Jake Nash Costume Design Jennifer Irwin Music David Page Lighting Karen Norris Photo Jeff Busby Why would a "Capital-A Actor" choose sex work? Wollongong 24 – 25 August. Actors need character. Warumuk. The highlight for me is being a part of a company. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. Jennifer Irwin Bio, Photos, Theatre Credits, Stage History - learn all about their career on stage. Having designed costumes for Stephen Page's works prior to his Bangarra artistic directorship, award winning Costume Designer Jennifer Irwin reflects on her long-standing journey, sharing highlights, learnings and the uniqueness of the Bangarra world. Lighting Designer – Karen Norris. Essentially, I learned on the job. Who is Jennifer Irwin? Dressing bodies is my primary interest and I could always sew. meriton festival village - 2017 sydney festival. In the fifth in a series of interviews celebrating the female designer, Antoinette Barbouttis talks to Anna Tregloan. Sydney 18 July – 18 August. Date: 21 Jun 2018 Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. Over the years, the Bangarra costumes have become far more sculptural. Choreographer: Stanton Welch Music: Brent Lewis Primitive Truth and Rhythm Hunter Costume Design: Jennifer Irwin Set and Lighting Design: Andrew Carter. When you work for a company for 30 years, you have to push forward to maintain originality and freshness. When anything over 90 minutes is considered long-haul, why do we still make marathon theatre? Can you talk a little about using that kind of natural material? NORPA in Lismore offers performing artists much more than a subtropical getaway. But as a white woman, I also need to be aware of all cultural protocols. Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper. Dancers sweat. Jennifer Irwin’s career spans 36 years constructing and designing costumes for drama, opera, film and, in particular, for dance and ballet. I try to source fabrics that I can turn into something else, something with texture I can paint, or dye, or bleach, or layer with other fabrics. So I fell into dance and have been designing for it ever since. It's more than just the money writes "Adelaide". And I designed 25,000 costumes in one year for the Sydney 2000 Olympics. But we can use the time on our hands to... John Harrison is a theatre maker and leads Westmead Hospital's Clinical Emergency Response Team. Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times. It takes a live-wire to electrify a venue in danger of losing its mojo. Self -Employed. Her work includes over 85 ballets as well as some of the largest scale spectacular productions ever staged in Australia including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games and the Official Ceremony marking the Centenary of Australian Federation 2001. Visually, this production rolls out on a red carpet.

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